I watched Karl Stefanovic's reel this morning, 70s/80s Australia, the sounds, the landscapes, the brands (they never escape me), the particular quality of light on a summer afternoon. The kind of thing that makes you ache a little.
And it pulled me back to a recent episode of Shameless Media where they talked about declinism, the very human conviction that things are worse now than they used to be, that we're all sliding toward something. Except, on paper, we're not. We are, by almost any measure, better off than we have ever been. Safer, healthier, more connected, more educated, more free.
I think I have always had a good perspective that two things can be true. The ache is real, and the data is real. I know what's underneath the nostalgia, I know the 70s/80s weren't easier in absolute terms. There was still struggle, terror and certainly financial pressure. And I know today there's plenty to be frightened about, too.
But I think there is also more good than we give ourselves permission to feel.... maybe?
Karl's reel tapped into the way I feel about regional Australia that I have always struggled to articulate. It's almost like the texture of it. The smell of a hot paddock, the sound of a screen door, the specific, sometimes lonely silence that sits over a country town at 3pm on a weekday.
But regional Australia does something else entirely that I think I can articulate as, it lets me feel. Not in a performative way, in the slow, unglamorous, seasonal way that farming and agriculture demand of the people who live it.
It's freeing, but it can choke. It's unstructured but entirely routine-driven. Familiar but always shifting. Wide open and close-knit, quiet and relentless, slow until it isn't. Pride and exhaustion in the same afternoon.
I've been balancing my time between Sydney and the country for years now, and I love and hate Sydney for all the same contradictory reasons. It's electric and exhausting. Anonymous and intimate. It sharpens me and it flattens me.
I don't really know what the point of this post is. I just know two things can be true. The ache and the progress. The love and the fatigue. The optimism for the future and the acknowledgement of today.
And that somewhere in all of it, there's a feeling worth protecting and fighting for. Anyway, thanks Karl, now I have written a LinkedIn post at an illegal time of 5:25pm that I won't schedule for prime time, because I'd probably delete it if I had a second chance.
Two things can be true.
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